What Brain Science Teaches Us About Painting-PART 2
International Artist|Station Points
James Gurney shares how new insights in visual perception and neuroscience can help us as artists
James Gurney
What Brain Science Teaches Us About Painting-PART 2

What you paint is a reflection of what you notice, and what you notice is a consequence of your conscious and unconscious visual strategies, some learned and some automatic. In the previous issue's article we looked at how images are constructed in the brain, both from the information that comes from the eyes, and from the predictive models handed down from the brain. We considered how vision is different from the camera and whether artists see differently from other people.

Now let's look at how image processing actually happens in the brain, and how we can recruit our eyes and brains to give us what we need to produce a painting.

TONE AND COLOR ARE PROCESSED SEPARATELY

According to Dr. Margaret Livingstone, the visual brain processes luminance (or tonal information) separately from color information. The two streams originate in the retina, which begins with low-level processing such as recognition of edges and contrasts. The information pathways continue to the optical cortex at the back of the brain. Although there is some crossover and interaction, the two streams-luminance and color-are largely kept separate, from the level of the retina all the way to the higher-level vision centers of the brain.

The area of the brain that interprets tone is several inches away from the area that interprets color, making the experience of tone and color distinct physiological experiences, as distinct as sight and hearing. The color stream is also called the ventral stream or the "what" stream. It is more concerned with recognizing and identifying objects. Color processing through the ventral stream is a capacity that is shared only by higher primates, not the bulk of other mammals.

The difference between these two streams may explain why classically trained artists plan their compositions by solving problems of tonal organization separately from the color arrangement.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM INTERNATIONAL ARTISTView all
A Sense of Depth
International Artist

A Sense of Depth

A solid grasp of foreground, mid and background makes Colley Whisson's scenes come to life

time-read
2 mins  |
June/July 2024
Peaceful Places
International Artist

Peaceful Places

Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes

time-read
2 mins  |
June/July 2024
School's in Session
International Artist

School's in Session

A look at some of the many in-person and online art classes and workshops available today

time-read
4 mins  |
June/July 2024
Collaborative Environment
International Artist

Collaborative Environment

In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more

time-read
2 mins  |
June/July 2024
Flying COLORS
International Artist

Flying COLORS

Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more

time-read
1 min  |
June/July 2024
Keep It REAL
International Artist

Keep It REAL

The Art Renewal Center bolsters the support and reverence of traditional representational art

time-read
3 mins  |
June/July 2024
BUILDING AN ART CAREER ONLINE PART I
International Artist

BUILDING AN ART CAREER ONLINE PART I

In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies

time-read
4 mins  |
June/July 2024
EDWARD FRAUGHTON
International Artist

EDWARD FRAUGHTON

Sculpting the Spirit of the American West

time-read
6 mins  |
June/July 2024
Preserving the Soul of Art
International Artist

Preserving the Soul of Art

Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.

time-read
3 mins  |
June/July 2024
Intrigue in the ordinary
International Artist

Intrigue in the ordinary

I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting

time-read
1 min  |
August/September 2023