The first feature film to ever come out of Rwanda was in 2001 titled 100 Days, a love story set against the backdrop of the brutal genocide against the Tutsi of 1994 directed by British filmmaker Nick Hughes.
In the years since, there have been more movies made in the tiny East African nation, although this has been a journey of risk and resilience in nabbing the top honors on the big screen .
Still busy building itself from scratch since the horrific events of 1994 that saw almost a million dead, as also building the capacity and infrastructure for large-scale movie production in tandem with other development projects, Rwanda had not had a prevailing cinema culture in general.
Mazimpaka Jones Kennedy, a veteran of the African film industry, says to FORBES AFRICA: “Rwandans did not have the culture of buying a ticket and going to the cinema, but things are changing. There is so much talent in the country and everyone loves films; we have come a long way!”
With the spurt of growth and development in Rwanda, the nation’s artistes and creatives are exploring the myriad possibilities of expressing themselves through cinema and storytelling.
The creative sector has changed its narrative and today, Rwandans are being recognized for their work in international projects; their faces are on big budget films and their names are being played up across Over-The-Top (OTT) streaming platforms.
But this story began with the pioneers in the early 2000s.
In 2004, Eric Kabera, a name synonymous with the Rwandan film industry, established the Rwanda Cinema Centre for training local talent and providing a launchpad for future filmmakers. He is focused on telling a new tale of hope and resilience in Africa.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
TRACK, WATCH, BEFRIEND
IN THE PRISTINE WILDERNESS OF GABON ARE THE MAJESTIC AND GENTLE WESTERN LOWLAND GORILLAS. A FIRSTHAND REPORT FROM OUR TRAVEL WRITER ON WHAT GOES INTO HABITUATING THEM.
CHALLENGING BUT NECESSARY: THE AI BALANCING PROBLEM
Artificial intelligence (AI) continues transforming many industries, providing unprecedented opportunities for innovation and efficiency. However, these advancements bring complex challenges that necessitate a delicate balancing act.
BEYOND ACADEMIA: THE SOCIETAL IMPACT OF MULTILATERAL EDUCATIONAL COLLABORATIONS
The great poet William Butler Yeats once said, \"Education is not the filling of a pail, but the lighting of a fire.\"
The Business Of Dance: Embracing One's Individuality And Style
In the dynamic world of street dance, passion and perseverance pave the way for success. Living out this ethos is South African born B-girl turned businesswoman, Courtnaé Paul.
COMPASSION FATIGUE: THE DANGEROUS DESCENT FROM HELPING TO HURTING
It is a workplace reality that caring too much for your colleagues can hurt you.
IT HAS NEVER BEEN MORE CRITICAL TO FIND OUR NICHE
Have you found your niche? I received a lot of advice when I set up my company, but perhaps the most important consisted of just three words: Find Your Niche.
HOW TO MAKE AFRICA WIN OFF THE FIELD TOO
When all else fails, try sports. It's good for the soul.
BEAN THERE, DONE THAT
British author Roald Dahl tapped into every chocoholic's imagination when creating Willy Wonka's bizarre chocolate factory in his 1964 children's novel Charlie and the Chocolate Factory.
IT DOESN'T GET ANY BETTER THAN WORKING WITH AL PACINO ON BROADWAY'
Arnold Vosloo Actor
BLENDED FINANCE: BRIDGING THE GAP IN EMERGING MARKETS IN SUPPORT OF THE SDGS
Amid the widespread global support for the United Nations' Sustainable Development Goals (SDGs), there was an underlying concern among economists and financial advisors in the emerging and frontier markets: public sector and donor funds were stalled, if not regressing, and the funding gap to realize the SDGs was increasing.