It takes a while to land a meaty role and even longer if your roots are not in the city of dreams. A sea of people come in every month if not every day, to take a crack at showbiz. Impossible as it seems, distance does nothing to stop a budding performer from finding the spotlight. For Sahil Mehta, it took a couple of obscure roles before he landed in the main cast list of critically acclaimed works like Harman Wadala's thriller drama Tabbar and Soumendra Padhi's teen film Farrey.
"There is a beautiful dialogue in Tabbar," recalls Sahil Mehta. "Stepby-step honda sab kuch." The line, delivered by his onscreen mother, played by the delightful Supriya Pathak, resonates with the newbie every time he faces rejection. And he has faced a fair share of rejections.
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Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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