DJANGO DJANGO

Reborn with a new retro house-inspired sound, Django Django's new double-album Off Planet is a flurry of hypersonic colours and energy. We spoke to the band's cofounder David Maclean about the record's influences, tech and evolution....

Few artists have the deft ability to genre-hop without alienating vast swathes of their audience, but for Django Django, and the four-part Off Planet expanding their sound palette to channel the vibe of their formative dance music influences, as well as introduce an array of guest lead vocalists, has yielded a galaxy-sized bounty. Take the Self Esteem-fronted Complete Me, a pulsing slice of early ’90s rave-pop, led by one of the UK’s most in-demand vocalists. Then there’s the Jack Peñate-centred No Time, a joyous slice of euphoria, pre-soundtracking the baking summer we’re set to have this year. Cuts that sound a world away from Django Django’s earlier work, yet share an exploratory through-line with them.

Founded in 2009, the stuttering indie-rock oddity Default launched the four-piece as an unconventional addition to the UK’s indie canon. Subsequent records found the troupe investing in more ’80s synth-pop influences (Marble Skies) and sci-fi tinged psych-rock (Glowing in the Dark). Now Django’s core creative instigator – former house DJ and beat crafter David Maclean – felt it was time to gearshift into a dimension not a million light-years from the dance music culture that he spent much of his youth living.