Ian McKellen stars as the coward-knight Falstaff.
When I was in London recently, walking down near Cheapside, north of the Thames, I went into the small museum built above the Mithraeum, an ancient site hidden twenty feet under Bloomberg’s glassy European headquarters. You’re often conscious in London of the place’s great age, but there’s nothing like visiting the remnants of a third-century temple devoted to Mithras—a bull-killing god popular with Roman centurions—to make you appreciate just how many cities lie beneath the streets. (A river, the Walbrook, once ran by the temple, though it has since been built over and lost.) Spring in London feels like a time for the new: goslings waddle in the parks, tiny daisies dot the grass. This May, however, many theatre productions were digging old, sometimes familiar things out of the sediment and reconsidering them in the city’s changing light.
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ART OF STONE
\"The Brutalist.\"
MOMMA MIA
Audra McDonald triumphs in \"Gypsy\" on Broadway.
INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
What is the world's largest music-streaming platform really costing us?
THE LEPER - LEE CHANGDONG
. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.
YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.