RED LINE
The New Yorker|June 10, 2024
With the election approaching, the U.S. and Mexico wrangle over border policy.
STEPHANIA TALADRID
RED LINE

One morning this spring, Alicia Bárcena, Mexico’s Secretary of Foreign Affairs, stood at the edge of the Rio Grande, ready to board an airboat manned by U.S. Border Patrol agents. Settling into the front row, Bárcena put on protective glasses as the blades behind her started to whir. The current seemed mild—the water rushing below was barely audible—but agents said that this was the stretch of river where the most migrants had drowned. Earlier this year, the bodies of a Mexican woman and her two young children were recovered there, after they attempted to cross by night.

Bárcena took office last July, with a mandate from Mexico’s President, Andrés Manuel López Obrador, to oversee immigration matters. She was at the border to assert her country’s presence in a series of increasingly inflamed arguments. It was in this part of Texas, near the town of Eagle Pass, that Governor Greg Abbott had installed a floating barrier of buoys that drifted into Mexican waters last summer. Bárcena, who had started her job just days earlier, denounced the buoys as “a violation of our sovereignty” and a breach of long-standing treaties between the two nations. She asked the Biden Administration to have them removed. The Department of Justice sued Texas, arguing that the buoys were flagrantly illegal and risked “damaging U.S. foreign policy.”

Abbott ultimately moved the buoys back, but he did not remove them, and his defiance of the federal government’s authority over immigration has only grown more brazen. In January, after stringing miles of concertina wire along the Rio Grande, he deployed the state’s National Guard to patrol the area, effectively blocking federal agents. “The only thing that we’re not doing is, we’re not shooting people who come across the border,” Abbott said. “Because, of course, the Biden Administration would charge us with murder.”

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM THE NEW YORKERView all
GETTING A GRIP
The New Yorker

GETTING A GRIP

Robots learn to use their hands.

time-read
10+ mins  |
December 02, 2024
WITHHOLDING SEX FROM MY WIFE
The New Yorker

WITHHOLDING SEX FROM MY WIFE

In the wake of [the] election, progressive women, who are outraged over Donald Trump's victory at the ballot box, have taken to social media with public, vengeful vows of chastity. - The Free Press.

time-read
4 mins  |
December 02, 2024
DEADLINE EXTENSION
The New Yorker

DEADLINE EXTENSION

Old age, reborn.

time-read
10+ mins  |
December 02, 2024
THE TEXAS EXODUS
The New Yorker

THE TEXAS EXODUS

Amid stringent abortion laws, ob-gyns are fleeing the state.

time-read
10+ mins  |
December 02, 2024
GET IT TOGETHER
The New Yorker

GET IT TOGETHER

In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.

time-read
10+ mins  |
November 25, 2024
GAINING CONTROL
The New Yorker

GAINING CONTROL

The frenemies who fought to bring contraception to this country.

time-read
10+ mins  |
November 25, 2024
REBELS WITH A CAUSE
The New Yorker

REBELS WITH A CAUSE

In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.

time-read
5 mins  |
November 25, 2024
AGAINST THE CURRENT
The New Yorker

AGAINST THE CURRENT

\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.

time-read
5 mins  |
November 25, 2024
METAMORPHOSIS
The New Yorker

METAMORPHOSIS

The director Marielle Heller explores the feral side of child rearing.

time-read
10+ mins  |
November 25, 2024
THE BIG SPIN
The New Yorker

THE BIG SPIN

A district attorney's office investigates how its prosecutors picked death-penalty juries.

time-read
10+ mins  |
November 25, 2024