TryGOLD- Free

THE BIG DEAL
The New Yorker|November 04, 2024
Joe Biden's economic policies are starting to transform America. Will anyone notice?
- NICHOLAS LEMANN
THE BIG DEAL

A mong Joe Biden’s afflictions and miseries, his wormwood and gall, there are the insults (about his diminished capacities), and then there are the compliments unpaid (about his achievements). We are exposed to more of the f irst, but it seems that to him the second are more painful. In his first interview after he withdrew as the Democratic Presidential nominee, Biden—wounded, proud, self-pitying, defiant—said, by way of defending his record, “No one thought we could get done, including some of my own people, what we got done. One of the problems is, we knew all the things we did were going to take a little time to work their way through. So now people are realizing, ‘Oh, that highway. Oh, that . . .’ ” He trailed off for a moment and then recovered. “The biggest mistake we made, we didn’t put up signs saying ‘Joe Did It.’ ” He ended this with a bitter chuckle. Biden isn’t wrong. Objectively, and improbably, he has passed more new domestic programs than any Democratic President since Lyndon Johnson—maybe even since Franklin Roosevelt.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

THE BIG DEAL
Gold Icon

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM THE NEW YORKERView all
THE FRENZY Joyce Carol Oates
The New Yorker

THE FRENZY Joyce Carol Oates

Early afternoon, driving south on the Garden State Parkway with the girl beside him.

time-read
10+ mins  |
March 24, 2025
UPDATED KENNEDY CENTER 2025 SCHEDULE
The New Yorker

UPDATED KENNEDY CENTER 2025 SCHEDULE

April 1—A. R. Gurney’s “Love Letters,” with Lauren Boebert and Kid Rock

time-read
2 mins  |
March 24, 2025
YOU MAD, BRO?
The New Yorker

YOU MAD, BRO?

Young men have gone MAGA. Can the left win them back?

time-read
10+ mins  |
March 24, 2025
ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE
The New Yorker

ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE

Lucy Dacus after boygenius.

time-read
10+ mins  |
March 24, 2025
STEAL, ADAPT, BORROW
The New Yorker

STEAL, ADAPT, BORROW

Jonathan Anderson transformed Loewe by radically reinterpreting classic garments. Is Dior next?

time-read
10+ mins  |
March 24, 2025
JUST BETWEEN US
The New Yorker

JUST BETWEEN US

The pleasures and pitfalls of gossip.

time-read
10+ mins  |
March 24, 2025
INHERIT THE PLAY
The New Yorker

INHERIT THE PLAY

The return of “A Streetcar Named Desire” and “Ghosts.”

time-read
5 mins  |
March 24, 2025
LEAVE WITH DESSERT
The New Yorker

LEAVE WITH DESSERT

Graydon Carter’s great magazine age.

time-read
10+ mins  |
March 24, 2025
INTERIORS
The New Yorker

INTERIORS

The tyranny of taste in Vincenzo Latronico’s “Perfection.”

time-read
7 mins  |
March 24, 2025
Naomi Fry on Jay McInerney's "Chloe's Scene"
The New Yorker

Naomi Fry on Jay McInerney's "Chloe's Scene"

As a teen-ager, long before I lived in New York, I felt the city urging me toward it. N.Y.C., with its art and money, its drugs and fashion, its misery and elation—how tough, how grimy, how scary, how glamorous! For me, one of its most potent siren calls was “Chloe’s Scene,” a piece written for this magazine, in 1994, by the novelist Jay McInerney, about the then nineteen-year-old sometime actress, sometime model, and all-around It Girl Chloë Sevigny.

time-read
3 mins  |
March 24, 2025

We use cookies to provide and improve our services. By using our site, you consent to cookies. Learn more