My new friends contained the experiences of life in the way that novels did, with chapters involving marriages, careers, wars, intergenerational dramas, travels, dénouements, deaths. Their biographical force field was strong. They embodied the theme of time. Time was thematic. It was not yet a source of ever-worsening personal harm.
One of these older people was V. He was a white European, but my initial impression of him was not unlike the impression I would then gain of certain senior Black Americans, namely, that they were subjects of history. This was the year 2000. In the faces of older New Yorkers, or so I believed, you could spot the vestiges of Jim Crow—for that matter, of the Third Reich and the Iron Curtain and the Great Leap Forward. What Vojtech Bartolomaeus, whom everyone called V. or Mr. V., had been through, I didn’t know. But his bearing was that of the survivor. Mine was not such a bearing. I was not a subject of history. I would never be, I remember thinking.
V. lived in an apartment across the hallway. He had a dapper, churchgoing quality, even as he was often seen in an undershirt. Everything he undertook, from his smile of greeting to the unhurried locking and unlocking of his front door, was done with a touch of form. His social efficiency put me in mind of the extinct, indeed discredited, gestures of courtesy with which V. had presumably grown up: tipping one’s hat, opening the car door for a lady, writing well-wrought and openhearted letters. I never saw V. in a sour mood. He exuded stoicism, as well he might: he was of the cohort that had reflected deeply on the human condition, as the human condition used to be called.
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NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
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ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
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OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
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NOTE TO SELVES
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BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"