The QE65S95B is a Samsung OLED TV. This is something that bears repeating, because after spending almost a decade telling you not to buy an OLED because they’re not bright enough and can fall prey to screen burn, Samsung has changed its mind. Before anyone starts mumbling anything about hypocrisy or petards, however, Samsung’s new OLED TV is not the same as the models we’re used to.
Where 'traditional' OLEDS fire organically created white light through red, green and blue filters, Samsung's 'QD OLED' panels use their organic elements to generate a blue light that passes through red and green layers of Quantum Dots. Using a blue source light removes the potentially polluting nature of white from the colour production process, while Quantum Dots are capable of delivering both purer colours and more colour volume (colour plus brightness) than colour filters.
All of which could, if handled right, result in stronger colour saturations and more brightness than we've seen from even the best regular 'WRGB' OLED screens from the likes of Sony, LG, and Panasonic.
Samsung is not, it should be said, claiming that its QD OLED solution is impervious to screen burn (permanent image retention caused by prolonged exposure to bright static image elements). Even regular OLED TVs, however, are far less susceptible to screen burn than they used to be, and not using a white element could reduce the issue even further.
Rise of the machines
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming