DURING ONE OF PEDRO PASCAL’S final recording sessions for his role in DreamWorks Animation’s The Wild Robot, he turned to its writer-director Chris Sanders and confessed: “You know, I’m more me in this role than a lot I’ve done in the past.”
Pascal voices a fox called Fink, one of the many critter residents of an uninhabited isle. When he encounters a crash-landed robot named ROZZUM unit 7134 (Lupita Nyong’o) – “Roz” for short – he reluctantly volunteers to help her raise an orphaned gosling she comes to name Brightbill (Kit Connor).
Fink is as charming as can be, a disarming collision of world-weariness and childish mischief. And for anyone who’s followed the actor’s nitro-fuelled career of late, as he descends from a galaxy far, far away to battle Paul Mescal in the arena for Gladiator II and slip on the spandex for Marvel’s Fantastic Four, all while winning over the internet’s hearts and minds – well, Fink sounds like Pascal to a tee.
“He showed us the way character-wise,” Sanders tells Red Alert. “There’s a line – not in the film – that we recorded: ‘Ooh, can we get that?’ But the way he read it, he said it like a little kid at a grocery store pointing at something and everything just lit up for me at that point. We really found a lot of Pedro in there.”
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS