A DECADE SINCE ZOMBIE SHOW IN THE Flesh debuted on BBC Three, the series still stands out as a uniquely sensitive take on the undead - one whose themes have arguably become even more topical in this post-Covid era of proliferating conspiracy theories. The story behind it is equally remarkable: a TV fairy tale of a rookie striking gold and winning critical acclaim and prestigious awards, only for his creation to be cut down in its prime.
Set in the fictional small Lancashire town of Roarton, the series takes a kitchen sink approach to the aftermath of a zombie outbreak. It's centred on Kieren Walker (Luke Newberry), a young man whose return home is greeted with suspicion and hostility - with good reason, because four years ago he was one of those who emerged from their graves on the night of The Rising, to feast upon the brains of the living.
Now, thanks to Neurotriptyline, a drug which prevents them going "rabid", Kieren is one of thousands of undead (euphemistically termed Partially Deceased Syndrome sufferers) who've regained their memories and are being reunited with their loved ones.
The show was the brainchild of Dominic Mitchell, a playwright whose love of horror was sparked by Stephen King's Pet Sematary, aged 12. "My friend gave me a copy to read," he tells SFX. "I was never a big reader, because I suffer from dyslexia, but he said, 'You've got to read this book. From the first page I was totally hooked. I read it in a weekend, then went rampaging through his back catalogue."
Mitchell also became a "massive fan" of George Romero's Dead movies, in part due to their social themes. "They really commented on society, and I think that's what the zombie genre is so great for using the zombies as a metaphor."
SCHEME TEAM
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS