THE REBOOTED PLANET OF THE Apes franchise has been running far, far longer than the original film series did. Okay, that's largely down to the slower pace of production when you're replacing human actors with CG creations, rather than glueing prosthetics onto them... Still, it's no mean feat that the revival is well into its twelfth year, with a fourth entry - designed to kick-start a fresh trilogy - in cinemas shortly.
Two people who've been there from the beginning right back to the original pitch in 2006 - are husband-and-wife writing team Rick Jaffa and Amanda Silver. As the scriptwriters of 2011's Rise Of The Planet Of The Apes, they created Caesar, the chimp who, in the wake of the spread of a virus that both devastates human society and elevates apekind, strives to find a way for the two sides to peacefully coexist.
CAESAR LATER
They've been helping to shepherd the franchise as producers ever since - racking up script credits on first Dawn Of The Planet Of The Apes and now Kingdom Of The Planet Of The Apes. There aren't many writers who can boast such longstanding involvement in a blockbuster franchise. How do the pair reflect on that? "We just hung in there!" Silver tells SFX, with a laugh. "And it's not easy with these franchises, because the movies are so expensive and so big. It's kind of a wild ride."
"It's felt kind of natural, to be honest," adds Jaffa, "especially with the first three movies, because Caesar was so important to us. He became part of our family really, and not to sound too weird - sort of grew up with our kids, so it was important to us to stay with that. Luckily we've been able to do other things, so it's not just apes and their travails. But it's been quite an adventure for us as well. I feel like each one of these movies takes about three years off my life!"
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS