THERE'S NO HIGHER COMPLIMENT TO be paid than becoming the subject of a drag brunch. When clips from a Wanda Visionthemed event in Minneapolis, in which queens high-kicked and death-dropped in the boots, capes and robes of Agatha Harkness and the Scarlet Witch, reached stars Kathryn Hahn and Elizabeth Olsen, they were overjoyed.
"I remember Lizzie being, like, 'Well, we've made it," Hahn tells SFX. "It was the coolest homage." "It was so beautiful and thrilling to have our show celebrated in this way," creator Jac Schaeffer adds. "I could cry thinking about it.
I have thought about that drag brunch most days making Agatha All Along. I wanted this show to be worthy of that type of fandom and adulation." Hahn's Agatha is the Salem witch with a taste for darkness, the one secretly pulling the strings in Wanda Maximoff's sitcom dream, before proudly revealing those strings in a viral theme tune that's now inspired the title of her spin-off series, Agatha All Along. She's self-reliant, imperious and quite a bit wicked, a creation so singular in Marvel's Cinematic Universe that she simply refused to leave Schaeffer's head.
The writer-producer had signed a deal with Marvel Studios to develop new projects and yet, in every pitch she made to its president Kevin Feige, Agatha somehow crept her way in. "I was like, 'And then they get in a car and they find themselves in Westview'," Schaeffer laughs. "Then left turn and there's Agatha and, little did you know, it was Agatha all along!"" So, Feige cut to the chase: why not simply give Agatha her own show? "It felt so obvious to us once he said it," she says. "She was the one."
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS