IF ANY FILMMAKER IS LIVING their best life right now, it's surely Fede Alvarez, whose directing career has taken a path he couldn't have dreamed of back when he was shooting lo-fi shorts on a shoestring in Montevideo.
A decade on from reviving one beloved horror franchise with Evil Dead, he's now been given a crack at another, awakening the Alien franchise from another of its periodic slumbers in cryo-stasis - an opportunity he describes as a privilege. "It's a world of ideas that I love so much," Alvarez tells SFX. "To be able to go and play in that universe, it's just totally once in a lifetime."
The notion was first floated after Alvarez finished work on Don't Breathe, his 2016 film about three burglars who bite off more than they can chew when they break into the home of a blind Gulf War veteran. "[Producer] Tom Moran asked me what I would do if I could do anything," Alvarez recalls. "And I said with no hesitation, 'I would do Alien." This led to a meeting with Michael Schaefer, who was then president of Ridley Scott's production company Scott Free.
"I pitched them what is still very true to where this movie is today, just as a pure fan," Alvarez explains. "Mostly the idea of taking it back to its horror roots: the beautiful simplicity of that, and the steps that you put the audience through when you tell that sort of story.
"Not that Prometheus and Covenant didn't have horror in them - they had horror elements. But in a very strict screenwriting structure, from that standpoint, they're not horror movies. And I thought what I would want to see is the simplicity of going back to the beginning of what this franchise is."
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS