Sam Mendes is talking sweets. Specifically, 1980s cinema confectionary. “I was never a big fan of Dolly Mixtures or Sherbet Lemons,” he grins. “I did love those toffees that you could get, Liquorice Allsorts and the boxes of Maltesers.” The reason for all this retro sweetie talk is simple: the 1917 director’s latest film, Empire Of Light, is set in a British seaside movie palace, run by Colin Firth’s slightly sleezy manager and Olivia Colman’s troubled deputy.
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