Jon M. Chu is transporting us back to the world of Oz for his adaptation of the Broadway phenomenon Wicked. It’s something the In The Heights director has dreamt of for a long time, and it’s coming to fruition as not just one film, but two, due for release in consecutive years.
‘I just remember being blown away by how cinematic it was,’ Chu says of seeing the stage show for the first time. ‘I loved, emotionally, how it moved me, the relationship between these two women.’ The two women in question are Elphaba – an ambitious girl born with green skin, who’s better known as The Wizard of Oz’s Wicked Witch of the West – and Galinda, who would later become Glinda the Good in the famous 1939 movie. Wicked offers a revisionist spin on the classic story, portraying Elphaba as purely misunderstood.
It’s a tale that Chu found transferred extremely well to the screen, given the central themes of friendship. ‘You get to do the close-up; we could be there right with the girls,’ he says. ‘In a weird way, it brought the audience more in line with what the story was telling - this very intimate story of the relationship between these two women that’s very complicated and nuanced.’
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
McQueen & Country
A moment of national pride and terror comes to the screen with World War Two historical drama Blitz. Total Film speaks to writer/director Steve McQueen and his stars Saoirse Ronan and Stephen Graham about uncovering the truth and celebrating the triumph of a defining moment in modern British history.
'I WAS, AND AM STILL, SURPRISED BY EVERY OPPORTUNITY. I'VE BEEN CONTINUOUS AND FEEL AT THE TOP OF MY FORM' JEFF GOLDBLUM
Seth Brundle. Dr. Ian Malcolm. Grandmaster. Jeff Goldblum has played some titanic characters over his 50-year career, and is celebrating a half-century on our screens by going bigger than ever. First he played Zeus in Netflix show Kaos, and now he's the Wizard of Oz in Wicked. Total Film meets the man behind the curtain...
STICKY SITUATION
Seven years on from his last big-screen appearance, marmalade's biggest fan returns for Paddington in Peru. Total Film talks to director Dougal Wilson, actor Hugh Bonneville and the visual-effects wizards who make the magic happen...
BORN TO BE WILD
BROTHERS IS THE MOST SURPRISING ACTION COMEDY OF THE YEAR, AND NOT JUST BECAUSE JOSH BROLIN AND PETER DINKLAGE PLAY CRIMINAL TWINS. TOTAL FILM ROUNDS UP THE STARS TO TALK ABOUT DYSFUNCTIONAL FAMILIES, THE 'HARD AS NAILS' COMEDIES THEY GREW UP WITH, AND MASTURBATING MONKEYS...
TRIPPING THE LIGHT FANTASTIC
ALL WE IMAGINE AS LIGHT Payal Kapadia's film shows the Mumbai you've never seen...
HUMPH DAY BOGART: LIFE COMES IN FLASHES
Behind every great man is a great woman. Or in Humphrey Bogart's case, four great women...
CALLING THE SHOTS
NEVER LOOK AWAY Lucy Lawless directs a bio-doc about a trailblazing camerawoman...
A FAMILY HEIRLOOM
THE PIANO LESSON Malcolm Washington's feature debut is all about family...