When Total Film last met director Rob Marshall – in New York, in 2018, as he was beginning the press tour on Mary Poppins Returns in earnest – rumours were bubbling that his next project would also involve revisiting another beloved Disney property. Live-action versions of The Jungle Book and Beauty and the Beast were proving what big business the vault could yield (taking $967m and $1.27bn at the box office respectively). The Little Mermaid seemed ideally suited for the treatment, but Marshall (best known for musicals like the Oscar-winning Chicago) was still in the ‘we’ll see’ stage then. ‘There’s a lot of work to do,’ he pondered when TF asked if he was heading under the sea. ‘There’s one underwater sequence in [Mary Poppins Returns], and I was like, “Wow, that was complicated enough.”’
Cut to five years later, and work is almost complete on Marshall’s The Little Mermaid. So, what convinced him to dive in? ‘I have no interest in taking an animated film, and doing a full-on remake of it; like an honest-to-God remake,’ he says candidly. ‘I really thought: the only reason to do this is if we can bring something else to this.’
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
McQueen & Country
A moment of national pride and terror comes to the screen with World War Two historical drama Blitz. Total Film speaks to writer/director Steve McQueen and his stars Saoirse Ronan and Stephen Graham about uncovering the truth and celebrating the triumph of a defining moment in modern British history.
'I WAS, AND AM STILL, SURPRISED BY EVERY OPPORTUNITY. I'VE BEEN CONTINUOUS AND FEEL AT THE TOP OF MY FORM' JEFF GOLDBLUM
Seth Brundle. Dr. Ian Malcolm. Grandmaster. Jeff Goldblum has played some titanic characters over his 50-year career, and is celebrating a half-century on our screens by going bigger than ever. First he played Zeus in Netflix show Kaos, and now he's the Wizard of Oz in Wicked. Total Film meets the man behind the curtain...
STICKY SITUATION
Seven years on from his last big-screen appearance, marmalade's biggest fan returns for Paddington in Peru. Total Film talks to director Dougal Wilson, actor Hugh Bonneville and the visual-effects wizards who make the magic happen...
BORN TO BE WILD
BROTHERS IS THE MOST SURPRISING ACTION COMEDY OF THE YEAR, AND NOT JUST BECAUSE JOSH BROLIN AND PETER DINKLAGE PLAY CRIMINAL TWINS. TOTAL FILM ROUNDS UP THE STARS TO TALK ABOUT DYSFUNCTIONAL FAMILIES, THE 'HARD AS NAILS' COMEDIES THEY GREW UP WITH, AND MASTURBATING MONKEYS...
TRIPPING THE LIGHT FANTASTIC
ALL WE IMAGINE AS LIGHT Payal Kapadia's film shows the Mumbai you've never seen...
HUMPH DAY BOGART: LIFE COMES IN FLASHES
Behind every great man is a great woman. Or in Humphrey Bogart's case, four great women...
CALLING THE SHOTS
NEVER LOOK AWAY Lucy Lawless directs a bio-doc about a trailblazing camerawoman...
A FAMILY HEIRLOOM
THE PIANO LESSON Malcolm Washington's feature debut is all about family...