'We're all born naked, and the rest is drag,’ cooed Ru Paul rather iconically. India's connection with drag goes way back and well before Ru Paul. Our rich cultural tapestry has long embraced the multiplicity of gender expression, with historical roots embedded in ancient mythology and traditional performance art. In Hindu mythology, deities such as Ardhanarishvara, a composite of Shiva and Parvati, symbolise the union of masculine and feminine energies. This concept of gender fluidity is echoed in the country’s classical performing arts like Kathakali, Theyyam, and Yakshagan, where male actors have traditionally portrayed female roles.
However, modern drag culture in India began to crystallise in the late 20th century, heavily influenced by global trends yet deeply rooted in indigenous practices. Over the last decade, drag in India has evolved from a subversive underground movement into a vibrant and visible component of the cultural mainstream.
…AND THE CATEGORY IS…
The past decade has seen an explosion of drag culture across India, with increasing acceptance and visibility. Indian drag artists like Patruni Sastry, known by the stage name Sas, and Aishwarya Ayushmaan, or Lush Monsoon, have become prominent figures, pushing the boundaries of traditional gender norms through their performances. The influence of international drag icons such as RuPaul, Sasha Velour, and Violet Chachki has also been significant, inspiring Indian drag artists to blend traditional elements with contemporary flair.
"Drag is more than just an art form. It is a celebration of identity and a powerful statement of self-expression," says Sas, whose persona leverages an extensive collection of over 6000 saris to challenge gender norms. "By incorporating saris into drag, I aim to deconstruct societal norms and showcase the garment to transcend gender."
SERVING REALNESS
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