“I wanted to control light so I could tell stories. That’s what cinema was in my head – a magical way to bend light and make stories out of it,” says veteran director Pan Nalin, looking back on the first time he stepped foot inside a cinema hall. Nalin’s two-decade-long film career started with his internationally acclaimed philosophical treatise Samsara in 2001. He has since gone on to tell several other equally riveting stories that double as brief yet intricate snapshots of the human experience. With his latest release, Chhello Show (internationally known as The Last Picture Show), Nalin aims to get down to the brass tacks of his craft and explore how he first fell in love with cinema.
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