Families—of choice, fate, or circumstance—are sources of power in a suite of fascinating year-end films. Noah Baumbach’s White Noise, a strikingly faithful adaptation of Don DeLillo’s 1985 novel about consumerism, post-industrial paranoia, and fear of death, is the biggest and highest-minded swing of the season. Adam Driver plays Jack Gladney, a professor at a fictional liberal arts college, and he’s a marvel of comic energy, as personable as he is hilariously puffed-up. Greta Gerwig is his genial wife, Babette, with a perm and a secret pill habit, and their four kids form a chorus of pop-cultural erudition. When a chemical spill unleashes an Airborne Toxic Event on their small college town, the family and seemingly everyone around them piles into their station wagons to escape it. A boisterous vision of modern anxieties run amok.
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From A to Zac
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