Some designers cling strictly to the calendar, releasing their collections in rigid sequence, but others have imaginations that cannot be tied down to a particular season. For Nadège Vanhée, the artistic director of women’s ready-to-wear at Hermès, this desire to break free, to throw out the old rules, has resulted in an exquisite, extremely limited edition (a mere 16 looks!) that she refers to as sleeping beauties—their formal name is Collection Hors-Série, Women’s 2023 Savoir-Faire Collection.
Each of these creations, from the embroidered ivory swing coat to the silk jacquard Spencer jacket to the micromini woven with ribbons, is made f rom fabrics left over f rom previous collections. You might call it deadstock, but of course the end of a bolt of Hermès cashmere is not exactly a prosaic remnant; a swath of organza that forms the basis of a guipure-lace dress is no ordinary love.
Vanhée didn’t just want to breathe new life into old materials; she was also determined to salt her work with ancient needlework techniques— intricate embroidery, lace making, weaving, beading, passementerie— crafts that still exist, though sometimes just barely, in ateliers hidden throughout France. The designs are a balancing act between old-world skill and contemporary fashion. “I find it quite playful,” Vanhée explains. “It’s crazy cool, but it’s also conservative.”
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.