Sam Herman was a true polymath: an artist, a sculptor and teacher, whose international career spanned. nearly half a century. But it was with his progressive work in glass that he broke new ground, changing the paths of 20thcentury art and decorative arts. I first encountered Herman's art in glass in the early 2000s and was immediately entranced by its curving, often anthropomorphic forms, its vibrancy of colour and sheer 'glassiness'.
Herman was always true to the nature of his chosen material, allowing it to speak for itself-in glass the forms reflected the nature of molten glass. 'Why make glass look like something that it isn't?' he asked. As such, although he used hand moulds and paddles, he didn't blow glass into moulds, or press, cut, engrave or enamel glass. Instead, he allowed this mercurial and magical molten material to express itself during the making process, adapting his preconceived ideas as this happened. 'Glass is a dance of immediacy,' he said, and watching Herman at work was to witness a truly dramatic performance.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...