The idea of escaping from city life to a second home deep in the Kent country side might not conjure up visions of bold, sculptural furniture and vivid colours,
but that ’s exactly what up-and-coming interior designer Charlotte Beevor has delivered for one fun-seeking family. Owners Simon Lamb and Monica Gibbs run Purposeful Change. ‘Our business is about inspiring people and organisations to make a shift, by breaking through their boundaries,’ says Simon. ‘But working with Charlotte on this project brought a new level of expression for us.’ The couple discovered Charlotte while watching TV show Interior Design Masters, just as they were wondering how to personalise their new holiday home, a high-end but bland contemporary house just four years old. ‘The only thing we’d done was install a pool for our water-loving son,’ says Simon.
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modern extensions
WITH STRIKING USE OF COLOUR, MATERIALS AND SHAPE, THE LATEST DESIGNS ADD SO MUCH MORE THAN AN EXTRA ROOM
think like a pro
It's not just interior designers who are skilled at picking the perfect palette architects are in on the act, too, and Richard Parr knows just how to get the ideal shade
colour decoded
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enduring style
B&B Italia has pioneered modern Italian furniture design since 1966 - but its latest collection feels as fresh as ever
TALES OF THE UNEXPECTED
Seventeenth-century origins meet vibrant contemporary design in a cleverly reimagined Amsterdam canal house
ROCK OF AGES
The owners of a Menorcan home have made a stylish yet sustainable retreat using the island's signature stone
FORCE OF NATURE
An unexpected flood into what was already a dark basement flat prompted a new vision, full of light, natural materials and foliage
TOP OF THE WORLD
High above the busy streets of Bangkok, two talented designers have created a tranquil retreat that nods to chic 1970s style and makes the most of the views
A PLACE IN THE SUN
An apartment within a former luxury hotel celebrates - and updates - the style of France's Côte d'Azur
OUTSIDE IN
The design of this modernist bungalow in South Africa was dictated by the trees on the plot and the desire for an indoor-outdoor flow
