GO into any church and chances are you'll find, hanging from hooks behind the pews, colour-fully embroidered kneelers or hassocks. Many will be patterned with familiar Biblical motifs-a dove, a cross, a cup and so on. Some may have heraldic or royal insignia; others might be considerably more eccentric. In her wonderful new book, Kneelers: The Unsung Folk Art of England and Wales, Elizabeth Bingham offers illustrations of kneelers depicting a de Havilland DH 108 jet aeroplane, a stethoscope, beach huts, the Sizewell nuclear-power station and an oil rig.
Despite the kneelers' richness and diversity, we tend to overlook these often anonymous examples of skill, imagination and pride in community. Instead, we raise our eyes to the stained glass or the spire or the vaulting. The direction of our gaze is illustrative. Whether we've entered the church for devotional reasons or simply out of interest, we are all heirs of a prevailing view that encourages us to look up and to think, to reflect, to use our minds (and our guidebooks), rather than our bodies.
However, unlike the decorated windows or the architectural flourishes or the memorial tablets, these kneelers aren't for looking at (or not merely for looking at): they are useful. The kneelers modestly tucked under the pews are a reminder that we're in the church not only as enquiring minds, but as living bodies, with flesh and blood and creaking knee joints. These days, we're encouraged to 'read' a church as we would a text. Richard Taylor's 2003 book How to Read a Church makes no mention of kneelers in all of its nearly 300 pages.
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