EARLY ON IN M. Night Shyamalan’s Trap, Josh Hartnett’s character makes a trip to the bathroom as an excuse to hide in a stall and pull up the webcam he has pointed at his latest victim, a young man who’s been chained up in what looks like a basement. Hartnett plays Cooper Adams, a Philadelphia-area firefighter who, unbeknownst to his wife and kids, is a prolific murderer nicknamed “the Butcher” because he carves his targets into pieces before dumping them. The camera lingers on Cooper for a few beats before showing us what’s on his screen, and the expression on Hartnett’s face is genuinely spectacular. There’s speculation there, as well as a restrained anticipation, but more than anything, he looks like a display glitching out and revealing the operating system it’s been running on—muscles mis firing, eyes dead. Cooper has brought his daughter, Riley (Ariel Donoghue), to see her favorite pop star perform, an event that threatens to expose his secret life when it turns out that law enforcement is using the concert to smoke out the criminal who’s been terrorizing the city.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
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