The panel featured four experts in the arts and culture industry, who spoke about their experiences and hopes for the future of Hong Kong’s entertainment scene: Paul Tam, executive director for performing arts at the West Kowloon Cultural District Authority (WKCDA); Grace Lang, programme director for the Hong Kong Arts Festival; Lindsey McAlister, founder of the Hong Kong Youth Arts Foundation (HKYAF); and Tom Chan, producer, director and composer of Our Journal of Springtime the musical, which became Hong Kong’s first long-running musical in 2019 (see also p.62). “Hong Kong is definitely not a cultural desert,” said Tam. “In terms of activity, I think Hong Kong is as vibrant as any place else in the world. [Under the WKCDA alone], we have M+ museum, the Palace Museum, Xiqu Centre and FreeSpace. Hong Kong also has [major institutions] like the Hong Kong Philharmonic Orchestra and The Hong Kong Ballet, with lots of cultural SMEs too,” said Tam, who is mid-way through Creative Tomorrow, a first-of-its-kind, eight-month art tech festival that launched last autumn.
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