The way of travel has evolved through the decades, even more so in the post‑pandemic era. Modern‑day travel is seamless and accessible to many, a far cry from the arduous endeavour and exorbitant privilege it used to be in the 16th century. At the time, it was popular for young aristocrats from wealthy British families to embark on an expedition across Europe as a way to wrap up their education—a journey that would later become known as the Grand Tour. Lasting about two to three years, with several months spent in each city, it was a voyage—carried out by sea or by horse and carriage—rich in art history and culture that would forge their character, broaden their minds and ensure their entry into society.
Typically, the Grand Tour included two compulsory passages: a visit to Paris and stays in the main cities of Italy, such as Venice, Florence, Naples and Rome. While northern France, Switzerland, the Alpine passes and the provinces of Germany were all popular stops, the exact itinerary varied.
These Grand Tourists were often accompanied by a highly educated teacher or guardian, as the objectives of the Grand Tour included practical studies in art and literature as well as an exploration of the emblematic sights of the visited countries, from relics of a glorious past to modern reflections on their contemporary importance.
Above all, the Grand Tour was a personal odyssey and although its high cost originally made it the preserve of a privileged class, it later attracted more artists, intellectuals and the broader public over the years. Tracing the footsteps of these travellers, Van Cleef & Arpels has reinterpreted this remarkable journey of initiation that left its mark on the artistic and cultural landscape of Europe with its latest high jewellery collection, Le Grand Tour.
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