Cock Sparrer, an East End London street-punk institution, with a core quartet of members who’ve been together since 1972, have never been more in demand than they are right now. According to their imposing, stentorian lead vocalist Colin McFaull, they have enjoyed a career in reverse. “Maybe bands in future will follow our model,” he says, “shun big record deals to follow their own path; leave big gaps every few years… Not make any money out of it.”
In 1977, Cock Sparrer’s faces (in the eyes of a music industry and press already blind-sided by a spike-topped, McLarenmarketed, hippie-averse new order) simply didn’t fit. They looked like they’d just walked off the terraces. They were actually working class. Their music a shade too brutal, their hair a couple of grades too cropped, Cock Sparrer were just too punk.
Maybe, because they’d already been hard at it for five years and had honed their brand of sonic aggravation closer to the bone than anyone else (until Sparrer-indebted Oi! arrived on the fringes of the mainstream in ’81), they were simply too far ahead of the game.
So while they couldn’t get arrested (actually, poor analogy, they very much could get arrested) in 1977, by 1982 they’d been embraced as underground elder statesmen by a never-more-receptive domestic punk scene. By the early 90s they were being held up as living-legend role models by such leading lights of the US crossover hardcore scene as The Dropkick Murphys and Rancid.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Joan Armatrading
The singer-songwriter on her new album, inspirations, being a 'band', what her key was about, meeting Nelson Mandela...
Meat Loaf: I'd Do Anything For Love (But I Won't Do That)
It was the power ballad to end all power ballads, and 30 years later people still ponder what the it’ is that the singer wouldn't do.
Kris Kristofferson: June 22, 1936 - September 28, 2024
Kris Kristofferson, the iconic, Grammy Award-winning singer, songwriter and actor who played a key role in advancing a strand of country music into a more raw and confessional direction now recognised as outlaw country, has died peacefully at his home in Maui, surrounded by family. He was 88 years old.
"I have come a very long way in the last two-and-a-bit years"
Back from the brink: the Thunder vocalist who survived major medical trauma returns.
EVER MEET LEMMY?
He's heard Lemmy's unreleased solo album, had dinner with Chris Holmes, told Paul McCartney to get a round in, been told gangster Reggie Kray wanted to have a word with him... He is Dogs D'Amour frontman Tyla 7 Pallas, and these are some of his stories.
"LET'S NOT FORGET ABOUT HAVING FUN"
With their ninth studio album In Murmuration, Finnish rockers Von Hertzen Brothers have replaced their erstwhile prog epics for a more honest approach to songwriting reflecting their personal lives.
IN THE BEGINNING
With previously unseen photographs from their early days as featured in the new Queen | Collector's Edition, Sir Brian May talks us through sights of the band in the early seventies.
BASS-IC INSTINCT
Plucked from obscurity in 1975 to be in David Bowie's band, then unceremoniously out of the picture five years later, bassist George Murray looks back on his time with the Thin White Duke.
High Rollers
When Ronnie Wood, the Stones and some A-list mates holed up at his house to help with his solo album, it sparked a days-long party, a Rolling Stones hit and the last album by arguably their finest line-up.
THE NAME OF THE GAM
When ABBA-mad Opeth leader Mikael Akerfeldt met one of their singers, he lost it”. She didn’t sing on their new concept album, but some other, perhaps unlikely, big names did.
