THE RAMPANT QUEST for suitable amplifiers and speakers to reproduce all that DSP-generated guitar tone as sound waves has yet to produce a clear winner. Powered cabs by Kemper, Atomic, Line 6, and Friedman have won over some fans, while others have conscripted powered monitor wedges. But the gasp of relief heard round the world when Fender introduced its first full-range, flat-response (FRFR) powered cabs, the Tone Master FR-10 and FR-12, suggests that this sector is still very much up for grabs. We tested a pair of FR-10s to tap the full stereoscopic depths of the Tone Master Pro modeler featured in the main review.
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