For the rock journalist, there is no greater joy than a musician living up to their mythology. As the Zoom call connects, the Marty Stuart of our mind’s eye is suddenly sat opposite us in a Memphis dressing room. Soundcheck might be an hour away, but the famously dapper country star already looks the part. Black scarf. Black jacket. Black hat. Black everything, in fact, except the stray silver hair that speaks of his 64 trips around the sun. A slightly evaluating look on his face, perhaps, while he waits a moment to establish if we’re an idiot or not. But then a palpable thaw, as Stuart relaxes into his witty and generous interview manner, never far from an anecdote or rumbling chuckle.
And what anecdotes he has at his disposal. Stuart is fascinating company for his solo career alone, which got motoring in the late 80s when he signed to MCA and reignites this year after a half-decade silence with the excellent Altitude. But it’s worth reminding yourself, too, that this man cut his teeth with bluegrass giant Lester Flatt, held his own in Johnny Cash’s road band, recently toured with the remnants of The Byrds and still owns the heavily modded Telecaster first owned by that band’s fallen legend, Clarence White. Let’s start with the here-and-now.
Do you still enjoy the road?
“I love the road. It’s my office. I love the applause. I love the smell of diesel fuel. I love the bad food, whatever. I’m a road dog.”
It’s six years since Way Out West. How has that time been for you?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more