RUSH THROUGH TIME
Prog|Issue 139
Rush fans rejoice! Crown Lands are back with their second full-length album, Fearless, and it's a treasure trove of quality musicianship, complex time signatures and sci-fi-inspired lyrics that turn the prog dial up to 11. The duo with a huge sound reveal why they've ditched their trademark blues rock in favour of carrying the torch for their Canadian musical heroes.
Dave Everley
RUSH THROUGH TIME

On January 8, 2020, Crown Lands’ Cody Bowles and Kevin Comeau were due to fly from their homes just outside Toronto to Nashville to hook up with former Rush producer Nick Raskulinecz to finish off a song they’d been working on for the past three years.

This was a huge deal on several levels. The Canadian duo’s Rush fandom goes bone deep and the track, a shifting, seven-minute mini-epic titled Context: Fearless Pt 1, was both homage to the Canadian prog icons in spirit and sound, and an evolutionary step away from the White Stripes/ Rival Sons-inspired blues rock with which Crown Lands had made their name. They’d even started recording the song three years earlier with original Rush producer Terry Brown, and now the guy who had worked on the venerated trio’s final two albums was getting involved.

“It was kind of fitting,” guitarist/ bassist and keyboard player Comeau tells Prog. “Terry had started Rush out and Nick had seen them through at the end.”

But 24 hours before the pair were due to board that plane, they got some dreadful news: Neil Peart had passed away. Given Raskulinecz’s closeness to Rush, they assumed the session would be cancelled. Then they got a text from the producer.

“He said, ‘You guys have got to carry the torch, you’ve got to see this vision through, so come on down and we can listen to Rush and cry and whatever,’” reveals the multi-talented drummer/ vocalist/flautist Bowles.

And so they boarded the plane and found themselves in Raskulinecz’s studio, honouring the memory of Rush and Peart and working on their own song. “It was tough,” says Bowles. “But there was a weird magic to it.”

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM PROGView all
JAKKO M JAKSZYK
Prog

JAKKO M JAKSZYK

King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.

time-read
4 mins  |
Issue 154
A Part & Yet Apart
Prog

A Part & Yet Apart

Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.

time-read
5 mins  |
Issue 154
CONTROLLED AIRSPACE
Prog

CONTROLLED AIRSPACE

He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.

time-read
6 mins  |
Issue 154
On The Wing
Prog

On The Wing

Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.

time-read
7 mins  |
Issue 154
Fourth Dimension
Prog

Fourth Dimension

The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.

time-read
5 mins  |
Issue 154
Symphly The Best
Prog

Symphly The Best

In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.

time-read
7 mins  |
Issue 154
We've Not Been Expecting You
Prog

We've Not Been Expecting You

The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.

time-read
7 mins  |
Issue 154
FAR HORIZONS AND PANORAMIC AMBITIONS
Prog

FAR HORIZONS AND PANORAMIC AMBITIONS

Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.

time-read
5 mins  |
Issue 154
'I mean, what is classical nowadays?'
Prog

'I mean, what is classical nowadays?'

Tony Banks reflects on his role as a 21st-century classical composer.

time-read
8 mins  |
Issue 154
There Can Be Only One!
Prog

There Can Be Only One!

Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.

time-read
5 mins  |
Issue 154