INDIA is good at creating caste systems: from age-old prejudices of birth, community, and gender coexisting with newly coined ones born out of education, wealth, power and privilege. While old prejudices lose their rigid hold, new ones keep emerging-urban/rural, English speaking/vernacular speaking, literate/illiterate, down to the colour of one's skin. Additionally, parental ambition and prejudice downgrade the educational advantages of liberal arts versus science and technology. One serious consequence is positioning highly skilled traditional craftspeople on the lowest rung of the professional ladder.
It's Stockholm airport in Sweden, and Shanta, 23 years old and the youngest ever craftsperson to win the Master Craftsperson Award for her tribal embroidery, stands on top of an escalator for the first time in her life. She has flown in a plane, exhibited a major new work at one of Europe's premier art museums, danced with international artists, lectured at Sweden's Boras Design School, becoming the first Lambani to travel abroad. "Isn't there a World Cup for Embroidery" she asks. "I'm going to win it!" Why not? Embroidery should be given due recognition-as a creative art as well as a competitive career opportunity.
Elsewhere, Chandra Bhushan and Irfan Khatri are two young men with totally different skill sets and backgrounds, coming from different communities and areas of India. One is a Brahmin folk artist from Bihar, the other, a Muslim block printer from Kutch. But they share common, important links-they are both craftspeople, and have both received the prestigious National Master Craftsperson Award in 2005.
More significantly, both Bhushan and Khatri, like Shanta, are successfully practicing craft as an 'economic' rather than a 'cultural' activity, at a time when many young craftspeople are leaving the sector in search of other more lucrative careers and stable employment.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee