WHAT does a Hindu Rashtra look like? How far are we from it? Or how deep are we already into the Hindu Rashtra, now that the Ram temple is being inaugurated on that once-disputed Ayodhya land with full state patronage?
Such questions have plagued many minds, as reflected in various social media posts, in recent months.
In June 2012, about a dozen functionaries of various organisations affiliated with the Rashtriya Swayamsevak Sangh (RSS), the parent organisation of India’s ruling Bharatiya Janata Party (BJP), attended a conference in Goa to discuss establishing a Hindu Rashtra in India. The Akhil Bharatiya Hindu Rashtra Adhiveshan was the first such event—a national conference—for the establishment of such a Rashtra.
During the conference, Hindutva ideologue Charudatta Pingale gave a picture of the Hindu Rashtra as he conceived it. From incorporating a “subtle dimension in judicial process” to rewriting Indian history, his depiction of a Hindu Rashtra covered almost every aspect of public and even private life.
According to him, the laws in the Hindu Rashtra will look after Hindu interests. Religious conversions will be banned. Policemen will be devoted to the nation and Dharma. There will be no reservations. There will not be any strikes, protests or rallies. Farmers will produce only those goods that aid national progress. Strong laws will be passed to check infiltration and the borders will be secured. Economic policies would be based on Kautilya’s wisdom and the pivotal point of societal well-being would be Dharma, not law.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee