Like its sister location in Chelsea, the bar at The William hotel is one of New York City’s finest cocktail lounges, with elaborately designed riffs on classics. There’s the Led By Moonlight, a kind of Old Fashioned with aged rum, sotol, dry Curaçao, muscovado, and both mole and orange bitters. Or you might prefer the Desert Bloom, a twist on the spicy margarita, with mezcal instead of tequila, plus bergamot, aji amarillo pepper, passion fruit, and lime juice.
It’s a classy joint, but New York hotels bearing the Raines Law moniker weren’t always that way.
In 1896, the state legislature passed a bill that would become known as the Raines Law, named for its chief backer, Republican Sen. John Raines. That law, Raines explained in an essay that year for The North American Review, was aimed at taxing and regulating the sale of alcohol in New York to generate government revenue and reduce the number of booze-selling businesses.
The previous system, Raines said, was understood to be corrupt, as it relied on discretionary licenses and a host of largely unenforced provisions. In addition to taxing saloons, the Raines Law imposed new rules about when, where, and to whom they could serve alcohol. It raised the drinking age to 18, restricted sales “in the vicinity of public institutions” such as asylums, and prohibited alcohol sales on Sundays or on any day between 1 and 5 a.m.
There was, however, an exception to the ban on Sunday sales: hotels, which could sell liquor to guests with their meals. To be classified as a hotel, a place of business had to have at least 10 rentable rooms and a few other amenities. Thus the Raines Law Hotel was born.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE REAL THREAT IS AN ISOLATED CHINA
DECOUPLING FROM TRADE WILL MAKE THE U.S. POORER AND CHINA MORE TOTALITARIAN.
Against Our Own Best Souls'
SISTER HELEN PREJEAN ON HERLIFE ASA WITNESS ON DEATH ROW
'THE POLITICS HAVE COME TO US'
HOW A CHRISTIAN CHARITY IN EL PASO ENDED UP AT WAR WITH THE TEXAS GOVERNMENT FOR HELPING UNDOCUMENTED IMMIGRANTS
MATERIEL LOSS
HOW THE U.S. MILITARY BUSTS ITS BUDGET ON WASTEFUL, CARELESS, AND UNNECESSARY 'SELF-LICKING ICE CREAM CONES'
'NOT A SUICIDE PACT'
HOW A 1949 SUPREME COURT DISSENT GAVE BIRTH TO A MEME THAT SUBVERTS FREE SPEECH AND CIVIL LIBERTIES
HOW MUSK CAN HELP TRUMP CUT TRILLIONS
DURING PRESIDENT DONALD Trump’s first term in office, the national debt increased by $8 trillion—due, in large part, to huge spending hikes that Congress passed and Trump signed.
THE IMPROBABLE RISE OF MAGA-MUSK
IS ELON MUSK A REACTIONARY WITHA DEFECTIVE BULLSHIT METER OR THE BEST PART OF THE SECOND TRUMP ADMINISTRATION?
A Free-Range Family
RIGHT NOW, CHILDHOOD is intensely meh. Maybe you read the recent report in The Journal of Pediatrics that said that as kids' independence and free play have gone down, their anxiety and depression have been going up.
Educulture Wars
THE CULTURE WAR is costing school districts billions, according to a report released in October 2024 by the UCLA Institute for Democracy, Education, and Access. The report surveyed superintendents at 467 school districts nationwide about extra expenditures they undertook because of increased conflict over culture war issues such as critical race theory, book chal- lenges, gender-related debates, and other politicized topics. The report estimates that such fights cost school districts around $3.2 billion during the 2023-2024 school year.
Q&A Penny Lane
PENNY LANE'S NEW Netflix documentary, Confessions of a Good Samaritan, delves into her life-changing decision to donate a kidney to a stranger. Known for her thoughtful and provocative storytelling, Lane has explored human connection and empathy in films such as Hail Satan? and The Pain of Others. Last October she spoke with Reason's Nick Gillespie and shared her emotional, physical, and philosophical experience with anonymous kidney donation and the challenges that came with it.