One can perhaps say that the ‘angry young man’ of 1970s Indian cinema was the metaphorical love child of writers Salim Khan and Javed Akhtar, popularly known as Salim-Javed. Mostly essayed by Amitabh Bachchan in several films written by the duo, the angry young man was a reflection of the growing dissent of the time, sparked by the impending Emergency, street protests, political turmoil and rise of the middle class. He was the ultimate hero who fought the system. With a problematic past, he would grow up to avenge his mother or himself in films like Zanjeer (1973), Deewar (1975), Trishul (1977), Kaala Patthar (1979) and Shaan (1980).
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