ONE DAY IN MIDMarch 2017, I had just finished giving my weekly lecture on film directing at the Xinjiang Arts Institute in Urumqi when my wife called. She told me that our friend Dilber had arrived from Kashgar, in south-west Xinjiang, and that she was headed to the front gate of the Arts Institute to meet her. Dilber was the hospitality director of a famous Kashgar hotel. While shooting the television series Kashgar Story the year before, our film crew had stayed at the hotel for two months. We chatted often with Dilber and had a number of meals together; by the time we left Kashgar, we had got to know each other well.
Over the phone, my wife, Marhaba, told me that Dilber's son, who was studying acting at the Arts Institute, had been drinking and picking fights in his dorm, and that the institute was threatening to expel him. Dilber had hurried to Urumqi to plead with school administrators for her son to be allowed to continue his studies.
When I reached the front gate, I saw Dilber standing alone. As I was greeting her, Marhaba arrived. We had barely begun catching up when Dilber burst into tears. Assuming that she was crying for her son, we tried to comfort her. But Dilber was not worried only about her son. She told us what had been happening in Kashgar the past few days.
Mass arrests had begun. The wave of arrests was so immense that detention facilities in the city-police station lockups, prisons, holding centres, labour camps, drugdetox facilities - had been quickly overwhelmed. Within days, numerous schools, government offices and hospitals had been converted into detention and re-education centres, hastily outfitted with iron doors, window bars and barbed wire. Rumours spread that, outside the city, construction was proceeding rapidly on new so-called "study centres", each meant to house tens of thousands. Fear reigned. People said the day of judgment had come.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Starlink's conquest of the Amazon leaves Brazil in a dilemma
The helicopter swooped into one of the most inaccessible corners of the Amazon rainforest. Brazilian special forces commandos leaped from it into the caiman-inhabited waters below.
Dalai Lama's mountain town feels the strain of tourist boom
SUVs and saloon cars pass slowly along McLeod Ganj's narrow one-way Jogiwara Road, blaring horns at pedestrians and scooter riders and playing loud music.
'I am all the world' The brutal rule of a West Bank settler
Palestinians tell ofblacklisted Yakov's reign across the Jabal Salman valley and heisjust one of many violent bosses
Stormy waters New flashpoint emerges in South China Sea dispute
Hopes that tensions in the South China Sea might ease have been short lived.
'Justice delayed' Why trust in public inquiries to bring closure is fading
After the final report of the Grenfell fire inquiry was published, Hisam Choucair, who lost six family members in the blaze, said: \"We did not ask for this inquiry... It's delayed the justice my family deserves.\"
Celeriac soup with almond pangrattato
I'm not ashamed to say that as soon as September hits, my stick blender comes out. Just as I embrace salads when the clocks go forward in the UK, I wholeheartedly throw myself into soup season once the summer holidays end. Autumn is approaching in the northern hemisphere and I'm ready with my ladle. Celeriac is one of my favourite soup heroes, because it gives the creamiest, silkiest finish with little effort. You don't have to make the almond pangrattato, but it is a wonderful addition.
Are smoke signals telling me to make an oil change in the kitchen?
Should you that is, not can you) cook with extra-virgin olive oil? Antonio, Atlanta, Georgia, US
Going underground
A darkly humorous encounter between an American spy-cop and the members ofan eco-commune she is hired to infiltrate
All work and no play
Hard Graft, a powerfulnew London exhibition, focuses onworkers’ exploitation, from the ruined hands ofa washerwoman to mothers forced to sell their bodies
What the princess and the shaman tell us about hereditary privilege
It should have been an Instagram-perfect wedding image, but it turned out to be something more embarrassing.