An effective Arjun Das anchors this middling film

SANTHAKUMAR’S latest film, Rasavathi, takes its name from the term alchemist, denoting some one who seeks to transmute base metal into gold, formulate the elixir of immortality, or create a cure-all medicine.

- JAYABHUVANESHWARI B

In this case, the protagonist, Sadhasiva Pandian (Arjun Das), embodies the third aspect as a Siddha doctor crafting remedies for various ailments. However, as the narrative unfolds, it becomes evident that the title holds a more profound significance, symbolising the protagonist’s personal metamorphosis. While Rasavathi presents an intriguing premise with uncommon characters and commendable performances, its execution falls short due to pacing issues and writing inconsistencies, making it a middling affair.

When Arjun Das appears on screen, you half expect him to slit someone’s throat or deliver a jab to the nose. In Rasavathi, too, the actor indulges in quite a bit of violence, but the offbeat nature of his character proves to be the film’s most compelling element. Arjun’s portrayal of Sadhasiva Pandian is characterised by sincerity and authenticity, and he effortlessly embodies the character’s complexities and motivations. Sadhasiva is patient, issuing warnings before resorting to force. His sole purpose seems to be healing and protecting all living beings. Only towards the film’s climax does Arjun erupt with intense emotions, drawing the audience into his character’s turmoil. A sincere Arjun Das effortlessly steps into the shoes of Sadhasiva Pandian, his performance serving as the film’s cornerstone.