The kind of portraits I’ve taken on celebrity shoots have been largely determined by the sort of job I’ve been doing. Even within the world of editorial shoots, I might either be given a free hand to do whatever I like, or the brief might be quite specific. For that reason, some jobs are more enjoyable – and the results more satisfying – than others. In an ideal situation my aim is to get a definitive, interesting, ambiguous picture that has a chance of not being ephemeral, but sometimes the limits of a particular commission make that difficult to achieve.
I’ve photographed Helen Mirren twice and both times were quite different. The first time was in 1999, when I was asked to shoot portraits of her for a feature in the Sunday Times Culture magazine. At that time, Mirren was 54 and had already had a long and successful career in films, TV, and the theatre. In the 1990s she was perhaps most famous for playing DCI Jane Tennison in the longrunning TV drama Prime Suspect.
I met her at the stage door of the Cambridge Arts Theatre, where she was starring in a play. The commissioning editor had given me the freedom to choose how I wanted to photograph her. I was using my preferred camera-lens combination at that time, a Hasselblad 500CM with a standard 80mm lens, but I also took along a Polaroid 195 camera which I intended to use if time allowed.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.