The Elinchrom ONE is a departure for the Swiss lighting manufacturer, which until recently only offered portable outdoor battery flash units with a separate flash head and power pack. The ONE is a single-piece monobloc design aimed at photographers who prefer the freedom to work unplugged without cables.
Features
Unlike some battery-powered outdoor flashes, the Elinchrom ONE features an exposed flash tube, rather than one concealed behind a frosted flat front unit. Exposed flash tubes offer greater creative opportunities, giving a harder light that fills light modifiers and shapers more evenly. In a first for a portable location flash, it employs a non-removable battery pack, which can be charged using either a mains supply or a USB-C power bank. Along with manual control, a through-the-lens (TTL) function allows your camera to calculate exposure, while High Speed Sync (HSS) enables use of shutter speeds faster than the camera’s native flash synchronisation speed. This is especially useful when working in bright ambient light conditions with wide lens apertures.
The flash power range covers 7-131Ws over five stops in either 0.3 or 0.1 stop increments. Flash duration ranges from 1/155s to 1/1530s in normal mode, while in the fast/action mode, it runs from 1/625s to 1/7000s, giving even greater action-freezing capability. Recycling time between flashes is 0.06-0.9 seconds. The colour temperature is 5600K ±150K in normal mode, and 5900K for action; these are marginally better than flashes of a similar type from other manufacturers. The flash tube is protected by a clear glass dome with a frosted plastic protective cover/diffuser. This is an improvement over previous Elinchrom battery flashes, where the flash tube was exposed.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.