This special issue has so far focused on upskilling you for a range of fast-moving subjects, such as birds or vehicles, so it might be odd to turn our attention to the subject of still-life. The term still-life naturally conjures up the idea of stillness.
While this is undoubtedly true of the end result, it doesn't necessarily mean that the subject itself must be static, however.
Through the skilful and considered use of high-speed flash, where ultra-fast subject movement is frozen in space and time, this genre of photography can reveal a unique and visually fascinating world, and one which is otherwise imperceptible to the naked eye.
One of the most unique aspects of photography is its ability to extend far beyond the capabilities of human vision, whether through long or short exposures.
But it's through the use of high-speed flash that product photographer Ian Knaggs reveals the beauty that can be found within a fraction of a millisecond. Ian enjoys the challenge of using and shaping light alongside creating images and has received recognition in international competitions.
High-speed flash disregards shutter speed to rely on incredibly short flash durations that effectively far exceed the fastest shutter speeds cameras are capable of, and as you can see, the results can be spellbinding.
Ian Knaggs
Coming from a technical background, acclaimed studio product and still-life photographer lan creates distinctive colourful images with a touch of humour. He also runs seminars. www.ianknaggs.com and see his Instagram at @ik_product_photography
KIT LIST
Tripod
A tripod is an extremely useful accessory for high-speed flash combined with still-life Not only does using one free your hands to hold other items, but it also allows you to fix the composition.
Shutter remote
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