Difficulty level: Intermediate Time taken: 2 hours All images © Peter Fenech
It is well known that landscape photographers favour dawn and dusk for their image-making. The golden light found early and late in the day casts a warmer tone over the landscape, often creating shadows that are softer and more directional. One of the greatest disadvantages of shooting during the middle of the day is that the lighting can often be high-contrast, with blocked-up shadow detail and difficult-to-control highlights.
However, it isn't always possible to be on-location at the optimum times. Where a shooting spot requires a significant hike to be accessed or it isn't possible to stay overnight at the location, then it can be a challenge to capture the scene when the sun isn't higher in the sky. In these cases, it is essential to know how to get the best out of the shot, using the light you have available to you.
In other situations, harsh light can actually be desirable. While the shadow structure and cool cast of midday lighting don't suit all images, they can also add drama and depth to the landscape. Here, we take a close look at how to adapt the usual exposure and composition procedure to make the most of all that strong sunlight has to offer.
Shooting steps
1 Find a composition Be mindful can impact the landscape. Depending on topography, it can reduce the depth and introduce extremes of tonality. Avoid areas that may become large expanses of deep, featureless shadow a simple reframing can prevent tricky exposure work.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents