Enhance colour like a pro
Digital Photographer|Issue 256
Take more control using the Selective Color Adjustment Layer
James Abbott
Enhance colour like a pro

Meet the editing pro

James Abbott is a professional photographer and photography journalist, specialising in shooting and editing techniques. He recently released his first book, covering professional image editing skills in both Adobe Photoshop and Affinity Photo. @jamesaphoto www.jamesaphoto.co.uk

Taking control of the colour in your images is an advanced approach that can help to elevate your photography beyond being a visual record. Selective Color is one of the unsung heroes within the Adjustment Layers, providing the ability to add creative effects, colour grade, change colours and even correct colour casts. We're going to focus on making colours richer and increasing saturation.

What you'll be using

Selective Color Adjustment Layer

Colour adjustments

Colour channels

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM DIGITAL PHOTOGRAPHERView all
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 mins  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 mins  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 mins  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 mins  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 mins  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ mins  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 mins  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 mins  |
Issue 285