With trees clad in golden foliage, lovely light and the promise of morning mist sitting in valleys, autumn is the favourite season for most landscape photographers.
And it's not just the rich colour palette of autumn foliage, there are many other factors that make it the most photogenic time of year for landscapes: the days are getting shorter, so you don't have to get up quite so early for dawn shoots, or stay out past closing time to capture the last drops of colour in the sky; with the sun lower, the light is attractive for more hours in the day; and high levels of moisture in the atmosphere, combined with cool temperatures overnight, means there is often the chance of an atmospheric layer of mist covering the land. The weather is less settled - passing showers and clearing storms make for dramatic light, with the possibility of a rainbow stretching across the sky to frame the landscape.
However, making the most of the stunning conditions in autumn can be challenging. You'll need to get your timing right - peak autumn colour can last just a few days before a storm strips the leaves from the trees and to catch the fleeting light between showers, so you'll need to work fast.
Woodland interiors
Autumn colour can be dramatic, with trees ablaze with rich reds and golden hues, so to make the most of it, head to your local woods and fill the frame with colour
1 BACKLIGHTING
One of the most atmospheric ways to capture autumn foliage is with backlighting. Get to the woods early in the morning or late in the afternoon, when the sun is low in the sky, set up near the edge of the woods and shoot towards the sun. Its natural warmth at these times of daylight will enhance the colours of the leaves, which will positively glow as the light shines through them. The low sun will cast shadows, seeming to race towards the camera, creating a dynamic composition.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body