It is fair to say that we all fall into compositional repetition. I remember the good old 'rock in the foreground' days of 2007 - an approach that didn't last long thankfully. After mastering the art of hyperfocal distance at larger apertures like f/16, all I had to do was place the camera in a few more interesting places and repeat the same formula. The pictures were commercially stylized for sure, but as a creative person, the shallow concept was short-lived.
When I'm giving more technical talks at photography seminars, I often ask members of camera clubs to name me compositional rules...
"Rule of thirds," is always the first reply from the audience.
"Name me another," I reply.
"The one that looks like a snail shell." "Another..." "50/50, like a reflection." "Any more?" I respond. Then the room falls silent.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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