THE MISSION Shoot window-lit baby portraits and combine with stock backgrounds in Photoshop
Time needed Two hours
Skill level Intermediate
Kit needed Canon EOS camera, window light, Photoshop CC
Although sleep-deprived new parents might not agree at the time, babies grow and change incredibly fast. Before you know it, a newborn is a rampaging toddler. So, if you’re planning on arranging a baby photo shoot for friends or family, or for your own little bundle, now is the time to do it. But how do you approach a shoot like this? One technique is the baby composite. For this, we take a photo of the baby then combine it with an eye-catching backdrop. You can find lots of stunning backdrops online, such as the autumnal setup we downloaded from Adobe Stock (free with an Adobe CC subscription). Of course, if you prefer, you could always take the Anne Geddes approach and create your own intricate baby backdrops and costumes. But depending on the props needed, this could prove expensive. With a few simple cameras and Photoshop skills, you can combine your subject with all kinds of readymade digital backdrops.
You don’t need loads of studio lighting kit either; window light is perfect for baby portraits at home. A window with non-direct sunlight offers a bank of lovely soft illumination and it costs nothing.
We’ll also show you how to get your camera set up for window light portraits, which is invaluable whether you’re planning on shooting for a composite like this or for any kind of portrait.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!