Light painting is a great way to get into long‑exposure photography, and it enables us to shape light in all kinds of creative ways. Most of the time we’ll use a powerful torch in low light or at night to visually paint a scene, and the results can be spectacular. However, for this project we’re going to take a different approach, and place gelled torches in hollow plastic rods covered in translucent paper to create a light wand that features heavily in the creation of the final image.
The torch we’re using also has a stroboscopic effect built in, and we’re using this to mimic a style reminiscent of 1980s film posters. Think of films like Tron and The Terminator, in which the lurid neon colours are simultaneously retro and contemporary in appearance. With more recent films like Super 8 and TV shows like Stranger Things harking back to this style, this period hasn’t been as popular since, well, the 1980s. So, with our model kitted out like an extra from Miami Vice, and a suitable stylish soft‑top car, we’re going to use the light wand to create these ace effects in‑camera.
Achieving the desired effect takes a bit of practice, but once you’ve nailed the basics of the technique you’ll be hooked – our shoot lasted three hours longer than we’d planned, because once we got our images looking the way we wanted we were having too much fun to stop!
1 RAW MATERIALS
We're using two Shadowhawk Tactical X800 Flashlights that we purchased on Amazon, which have adjustable power and strobe settings; we've taped pink and blue plastic over the ends. We also bought a couple of hollow acrylic tubes from eBay and tucked the torches inside them.
2 WRAP UP THE LIGHT
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
CALIBRATE YOUR COLOURS
James Paterson reveals how he captures stunningly colourful sunsets by using this secret weapon
ABSTRACT PORTRAITS
Mike Harris shows you how to use slow shutter speeds and multiple exposures to capture a series of motion-blur portraits
BREATHTAKNG IMAGES FROM ABOVE AND BELOW THE WAVES
A final hit of inspiraton: Ocean Photographer of the Year reveals stunning winning photos
THE ULTIMATE GUIDE TO AUTUMN
James Abbott reveals the secrets to capturing amazing images during the most eye-catching season of the year
CANON UNVEILS NEW PORTABLE, FULLY-WIRELESS PHOTO PRINTER
The Selphy QX20 is ideal for quickly printing your smartphone snaps on the go
FUJINON GF120MM F4 MACRO R LM OIS WR
This powerful medium-format lens is ideally suited to extreme close-ups
HOW TO...CLEAN UP A SCENE WITH AI
James Paterson shows you how the AI-powered Remove Tool can revolutionise your retouching
SHOOT AN '80S PORTRAIT
Jason Parnell-Brookes recreates the neon look of the 1980s using torches and hollow acrylic rods
THE BEST MONOCHROME IMAGE OF 2024 IS A REAL CRACKER
Black and White Photo Awards announces stunning selection of winning images
88 TIPS FOR GREAT BABY PHOTOS
From lighting to posing and pacifying, here's how you get the perfect shot