IN ALEX GARLAND'S POTENT 'CIVIL WAR.' JOURNALISTS ARE AMERICA'S LAST HOPE

The United States is crumbling in Alex Garland’s sharp new film “ Civil War, “ a bellowing and haunting big-screen experience.

The country has been at war with itself for years by the time we’re invited in, through the gaze of a few journalists documenting the chaos on the front lines and chasing an impossible interview with the president.

Garland, the writer-director of films like “Annihilation” and “Ex Machina,” as well as the series “Devs,” always seems to have an eye on the ugliest sides of humanity and our capacity for self-destruction. His themes are profound and his exploration of them sincere in films that are imbued with strange and haunting images that rattle around in your subconscious for far too long. Whatever you think of “ Men,” his most divisive film to date, it’s unlikely anyone will forget Rory Kinnear giving birth to himself.

In “Civil War,” starring Kirsten Dunst as a veteran war photographer named Lee, Garland is challenging his audience once again by not making the film about what everyone thinks it will, or should, be about. Yes, it’s a politically divided country. Yes, the President (Nick Offerman) is a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. Yes, there is one terrifying character played by Jesse Plemons who has some pretty hard lines about who is and isn’t a real American.