Record Collector - July 2024

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559 July In this issue: Britpop Revisited – Oasis, Blur, Pulp, Supergrass et al 30 years on. Plus! Marc Almond on his illustrious career; Jon Bon Jovi on Springsteen and stardom; the return of Crowded House; The O’Jays’ Philly saying something; Pernice Brothers’ exquisite sadness; and much more…

anchoress away

Catherine Anne Davies on the ethics of vinyl production

4 mins

33½ minutes with...Dana Gillespie

Dana Gillespie was the 60s It Girl who hung out with a pre-Bowie David Jones at Soho cafe La Gioconda and sang at the Marquee alongside Julie Driscoll. Jimmy Page produced her 1965 single, D Thank You Boy, and played on her 1968 debut album, Foolish Seasons. Its follow-up, 1969's Box Of Surprises, paired her with producer Mike Vernon and Savoy Brown while 1973's Weren't Born A Man saw her working with Bowie and Mick Ronson. First Love, her covers album out now, is produced by Marc Almond and Tris Penna. \"Marc said to me, 'I'm fed up with you being the biggest undiscovered secret on the planet,\"\" she says on the motivation behind what will be her 74th album. \"He said we've got to change that. I've never even been asked to perform on Jools Holland's Later. I'm too old to be pissed off but I have been overlooked.\"

4 mins

I was seen as an outsider– Marc Almond's new album I'm Not Anyone is out on 12 July on BMG

It's 43 years since Soft Cell's cover of Gloria Jones' Tainted Love turned singer Marc Almond and his synth-playing partner Dave Ball into overnight stars, and 42 years since Almond kicked off a solo career that continues to this day. The nervous kid that we first saw on Top Of The Pops on 13 August 1981 is now one of the longest-performing artists of his generation, with his 27th solo album, I'm Not Anyone, about to land. Addiction and a near-fatal road accident couldn't stop him, he tells Joel McIver, although a nice fruit garden just might...

10+ mins

JERSEY ROYAL

Overcoming critical derision to sell 130 million albums, Bon Jovi have celebrated their 40th anniversary with a career-spanning documentary series and a return to their trademark feelgood rock after a decade of troubles. Jon Bon Jovi, David Bryan and Tico Torres tell John Earls why they refuse to play live again until they're fully fit, why they're the people's choice, their hopes to be reunited with Richie Sambora... and of secret road trips with Bruce Springsteen.

10+ mins

DON'T STREAM IT'S OVER

While many bands of a certain age struggle to balance the desire to keep moving with their audience's demand to hear the hits, Neil Finn and Crowded House remain as passionate about their back catalogue as they are their latest recorded work. Besides, streaming exposes their songs to new generations and they're happy to go with the flow. As Finn tells Pete Paphides: \"You can't be angry with an algorithm.\"

10+ mins

HOOD VIBRATIONS

There's a shimmering, otherwordly quality to The O'Jays' music, a gossamer lightness to their gospel fervour. It's there on their hits -Love Train, Put Your Hands Together and especially on their 1972-3 albums, Back Stabbers and Ship Ahoy, which, argues Philly soul expert Tony Cummings, merit contention alongside What's Going On and There's A Riot Goin' On in the annals of conscious R&B

10+ mins

OVERCOME BY SADNESS

\"Look at me! I've lived!\" declares Joe Pernice. Few contemporary American songwriters can do weathered ennui like him, albeit with a nod and a wink. The Pernice Brother talks Rob Hughes through nearly three decades of studio output, album by gorgeously sorrowful album.

10+ mins

CAUGHT BY THE BUZZ!

Every generation gets the music epoch it deserves whether that's psychedelia, glam, punk, new pop, Madchester... In the 90s it was the turn of Britpop. For a period, there was a range of activity under that banner, most notably from the colossally popular likes of Oasis, Blur, Pulp, Supergrass and Elastica, but also from the lesser-known likes of Marion, Menswe@r and My Life Story... Over the next 12 pages we reacquaint ourselves with some of Britpop's stars, Joel Mclver looks at Britrock and Joe Muggs at Brit-dance to affirm the era's rampant eclecticism, Wesley Doyle recalls life in a band on the scene and meets the next generation of Britpoppers, we reassess the era's best albums and the \"runners-up\", consider the notable singles, remember the Blur-Oasis rivalry, David Stubbs offers an Alternate View Of Britpop, and John Coleman compiles a hefty Oasis discography.

6 mins

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Record Collector Magazine Description:

Record Collector Magazine is a monthly magazine dedicated to all aspects of record collecting, from the latest releases to rare and vintage vinyl. It is published by Metropolis Group The magazine covers a wide range of topics, including:

* New releases: Record Collector Magazine reviews new albums from all genres, including rock, pop, jazz, blues, and classical music.
* Reissues: The magazine also reviews reissues of classic albums, as well as box sets and compilations.
* Rare and vintage vinyl: Record Collector Magazine features articles on rare and vintage vinyl, including profiles of record labels, artists, and producers.
* Collecting tips: The magazine provides tips on how to start collecting records, how to care for your collection, and how to find the best deals.
* Record collector interviews: Record Collector Magazine interviews record collectors from all walks of life, from celebrities to everyday people.

Record Collector Magazine is known for its high-quality journalism, its informative and engaging articles, and its commitment to providing its readers with the latest news and information about the record collecting world.