ArtAsiaPacific - January - February 2020

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Now in its 15th edition, ArtAsiaPacific’s annual Almanac tracks the diverse cultural landscape from the Asia Pacific to the Middle East. Over time and within each issue, the Almanac is an archive between two covers of the region’s creativity. The 53 Country Reports detail developments in specific art scenes. The News section covers the major headlines of 2019, from protests that disrupted art events to scandals over unethical funding, while Cultural Currency reviews the year in auctions and art fairs. The editors pick six Artists of the Year, as well as the top Festivals and Exhibitions. Clara Cheung, Li Zhenhua, Han Nefkens, Tom Tandio, and Jason Wee share their Reflections on art and society. We also Preview ten shows to look forward to in 2020. The precarious state of the world at the end of the decade is captured in elements of art director Heesun Seo’s design for the internal pages and the Almanac’s cover. Yet the reshuffling and shifting of the world has also produced many new openings and opportunities for the creative fields. We hope that readers will be as absorbed, challenged, and inspired as they discover the many worlds found in the Almanac.

ArtAsiaPacific Magazine Description:

For 20 years, ArtAsiaPacific Magazine has been at the forefront of the powerful creative forces that shape contemporary art from Asia, the Pacific and the Middle East. Covering the latest in contemporary visual culture, ArtAsiaPacific is published 6 times a year in Hong Kong, with editorial desks in 25 countries around the world. Our special annual issue, the ArtAsiaPacific Almanac, published in January, covers the major art events of the past year and forecasts the key trends of the year to come.
The dominant artistic influence in the world today - and for many years to come emanates from the vast territory that lies between Turkey and the Pacific island of Tonga that we call the Asia-Pacific. This territory includes India, China, Japan, Australia, Thailand, Pakistan, New Zealand, Korea and Indonesia, whose combined populations make up an amazing half of the world's total population. Also included are Burma, Cambodia, Kiribati and Uzbekistan - places hitherto overlooked, but which like their gigantic neighbors, are producing cutting-edge art of stunning and unexpected quality.
ArtAsiaPacific is authoritative, accurate, even-handed, exact and essential. Included in each issue is an up-to-date directory of the major galleries, not-for-profit organizations and museums with a focus on contemporary art from our geographical footprint. ArtAsiaPacific offers thoughtful reportage, analysis, comment and criticism to its readers made up of collectors, gallerists, curators, artists and those who want and who need to know the latest developments in the fastest-growing and most astonishing region of the contemporary art world.