International Gallerie - Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'

この問題で

Kia ora! This is the first Mãori word of greeting I learnt on emabarking on this very special 46th Gallerie issue on the arts and culture of Aotearoa New Zealand; a region we want to know much more about. Like the refracted ray of light, what appears in all the features here, are a sum of what crossed time zones and Covid times to emerge as Aotearoa New Zealand, perceived through a distant but curious lens of seeking and finding – Editor, Bina Sarkar Ellias

PROTEST, REFORM, SOW SEEDS OF HARMONY, HARVEST PEACE...

As a migrant academic in Aotearoa New Zealand, who studies the intersections of indigenous struggles, racism, and social change, I have both witnessed and personally experienced the deep inequalities that make up this land.

4 mins

PM JACINDA ARDERN BORN TO INSPIRE

Lessons in Leadership in the Post-Truth Era

5 mins

MY PASSION FOR THE ARTS. JENNIFER LEALAND

Actor, Director, Nurturer of Performance Arts

4 mins

I AM AN INDIGENOUS MAN ON STOLEN LAND

At the heart of Chevron Hassett’s practice is community orientated concerns that stem from a Mãori foundation of whanaungatanga, or kinship. It inspires his creative direction to explore his childhood, his ancestry, cultural and social identity, and the urban Mãori experience. Hassett places the Mãori youth in a series of installations titled, ‘A Place TŪ Be’ [He plays with the Mãori word ‘t«’ meaning ‘situated’] in an urban, contemporary landscape, to provoke thinking of their early ancestral narratives and their current existence; to investigate ontological questions of the journey between then and now.

3 mins

International Gallerie の記事をすべて読む

International Gallerie Magazine Description:

A Journey of Ideas
Gallerie is a celebration of life.
As a tribute to the creative excellence of the world, it features painters, sculptors,crafts-people,
writers, poets, photographers, designers, film-makers, and performing artists, humanists.
It covers lives and cultures in India and around the world with a socio-political-human
interest perspective. While it represents India abroad, it carries international stories for India.
Gallerie is a sharing of ideas, inspiring and uplifting. Features have informative, in-depth stories
treated in a lucid, reader-friendly style accompanied by high quality pictures.
In a generous 10"x13" format of approximately 130 pages, the layout is designed to create an
oasis of calm amid the cacophony on magazine stands today. It is processed, printed and
published in India with international quality production values.
A bi-annual, thirty two issues and eight-awards-old, Gallerie is steadily reaching a
large readership in India and worldwide. Museums, galleries and educational institutions
are among others who subscribe to the magazine. In India, readership is not only with the
discerning decision-maker, but also with a wide spectrum of art and literary enthusiasts.
Overseas, a loyal subscription list is growing with institutions and individuals. Readership
includes the Harvard University, Victoria University, the Freer & Sackler Galleries,
Smithsonian Institution, the Metropolitan Museum, NY, the MOMA, NY,
the New York Public Library, the MOMA, San Francisco, the Asia Museum San Francisco,
the Asia Society, NY, the Tate Gallery, London, the Hayward Gallery, London.
The response has indeed, been encouraging. Today, Gallerie is a collectible, a journal
that readers value and associate with excellence.